Using Setting to Create a Three-Dimensional World for Your Story: THE URBAN SETTING THESAURUS

urban setting thesaurusWe received a free copy of Angela Ackerman and Becca Puglisi’s The Urban Settings Thesaurus: A Writer’s Guide to City Spaces in exchange for an honest review. Since we’re fans of their Emotion Thesaurus as well as their thesauri of positive and negative character trains, we were excited to dive in. (See our review of the other books here.)

The Urban Setting Thesaurus is a wonderful resource for a fiction writer! The bulk of this book and its sister craft book, The Rural Settings Thesaurus, is comprised of two-page entries describing dozens of settings that could pop up in any fiction genre — from a police car to an emergency room, the stands of a sporting event to an art gallery. Each entry provides a wealth of sensory words describing the sights, sounds, smells, textures, and even tastes that characterize that setting.

In the recording studio entry, you find sights like vocalists warming up, cords running from instruments to outlets and recording equipment, and the “recording” light to let you know to keep quiet. You hear humming or instruments being played, smell takeout Chinese food or coffee, and feel the snug fit of headphones over your ears. If your scene takes place in a setting you’ve never been to, this thesaurus can help you craft the experience your characters will encounter in a way that will make your story feel more real to your reader.

Continue reading “Using Setting to Create a Three-Dimensional World for Your Story: THE URBAN SETTING THESAURUS”

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Writing for Fun: Reflections on a Workshop with Jo Knowles

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When was the last time you did wrote just for fun? I have to admit I haven’t for a long time. It’s hard to squeeze writing time in around the rest of life, so when I get it, I feel pressure to be productive: write the next chapter, deepen a character arc, start on revisions. Something needs to get checked off the list.

So when I saw that Jo Knowles was leading two workshops at the New England SCBWI (Society for Children’s Book Writers and Illustrators) conference, I let out a SQUEE, put the workshop on creating memorable characters down as a must-have, and eyed suspiciously her second one titled Improv for Writers: Reinventing Your Approach to Writing “Just for Fun.” Jo writes “feel all the feels” books, like See You at Harry’s and Read Between the Lines, so part of me wanted to take the workshop, whatever it was. Another part of me wasn’t sure. I signed up anyway.

This was a Sunday afternoon workshop, the last time slot in a three-day conference. I was exhausted and my mind buzzed with overstimulation, so I couldn’t imagine being able to sit and focus on writing. But Jo, over two hours, challenged us with writing prompts on settings, characters and conflict, pushing us deeper as we transitioned from one topic to the next. She asked for volunteers to read their pieces, all words dashed off in five minutes or ten, and always found something special to highlight.

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Two things struck me about “writing for fun.” First, it was easy. I’d been entirely prepared to forgive myself for not coming up with much from the workshop except for brilliant insights collected from Jo. But spending just a few brief minutes envisioning a character or a setting let me take them farther than I would have imagined. I realized that this would be a great exercise for getting to know settings or characters when I got ready to draft a new story. Thinking about them freely before they needed to be fit carefully into a scene could make them deeper and more real.

Second, I realized everyone in the room was very inspired by the exercise. By just the act of writing for fun, writing something that they may never use in a project. Jo always had several volunteers willing to share their response. At the end of the workshop, she made a recording of everyone in the class saying, in just a sentence, why they write. If you listen to it here, you’ll hear the inspiration in the voices.

Coming out of the workshop I felt “writing for fun” was something I should fit into my everyday routine. I can afford to spend ten minutes on a writing prompt before I dive into the revision list, or on the weekend when I’m not doing “serious writing.”  Since, in the back of my mind, I’m still thinking about the “to do” list, I plan to start by directing my “writing for fun” to pieces that I may use in future stories.

When I asked the Pennies if they write just for fun, I found that most want to, but seldom have time. I did find a couple free writers. Julie Artz said, “I love free writing and would like to do more! I almost always start a new story by free writing everything I can think of about the story idea (this grows into my long form synopsis). I also free write when I get stuck (often poetry).”

Laurel Decher said, “Freewriting helps me to process life and catch funny incidents. It’s like Dumbledore’s Pensieve. In my Scrivener ‘spare parts’ file I have a folder for free writes so that I can easily move pieces to a project or a blog post.”

I’d love to hear how you fit writing for fun into your routine in the comments! Do you do it never? Sometimes? Always? Do you focus it on things that might be useful on a future project or just write about whatever’s in front of your eyes or on your mind?

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REBECCA J. ALLEN writes middle grade and young adult stories that blend mystery and adventure. Her best story ideas come from her two crazy kids.

Unlike many writers, Rebecca did not write her first story at age eight…at least not fiction. She was the editor of her high school yearbook and wrote for her college newspaper. But her first fiction course scared the bejeezus out of her! Having overcome her fear of fiction, Rebecca loves see how much trouble she can get her characters into, and sometimes back out of. She’s on Twitter and is also a contributor at The Winged Pen.